Sunday, 9 April 2017

Landscape and Literature at the Wealden and Downland Living Museum




Just back from a glorious day at Singleton at this event - incredible sunshine and bursting buds and birdsong, and a splendid gallery of speakers organised by writer Suzanne Joinson, author of two good novels I've enjoyed, The Photographer's Wife and A Lady Cyclist's Guide to Kashgar . In the morning there was a great presentation by Alexandra Harris ( Weatherlands and The Romantic Moderns) starting off a discussion with Suzanne which then widened out to include us all; then Clare Best introduced and launched her new book done with Mary Anne Aytoun-Ellis Springlines (available now from Little Toller) - from dew-ponds to ancient wells via hammer ponds and other hidden stretches of water; there will be an exhibition from the project 9th June to 23 September in Tunbridge Wells with Mary Anne's artworks.

In the afternoon poets Sasha Dugdale and James Simpson read from their work and discussed how the West Sussex landscape had inspired them and referred back to certain themes which had been cropping up throughout the day - a fascinating and in the end very wide ranging and pertinent discussion about the role of the artist and poet in difficult times and within a global perspective, enhanced by Sasha'a experiences at events meeting poets from around the world and touching on political and ecological issues.




All in all a really interesting day in a beautiful venue and the best possible weather.
Here are a couple of views of the Reddleman's Daughter books I did with James for those visiting this site after the event. ....



Here a some pages from the original book




and the cover


Monday, 3 April 2017

Back from BABE

As usual a very nice experience with good friends old and new on both sides of the table. The sun shone and the Arnolfini is in a beautiful spot ( the road works locally and part closure of the M4 the only fly in the ointment for some people). Sarah Bodman looks after us all brilliantly with excellent organisation and tea, coffee and cake. This year her colleague Stephen Fowler was running a BABE passport scheme for the public - visitors could collect an empty passport from the passport control office and have it stamped at participating tables. ( All very topical). My grandsons enjoyed collecting and stamping our communal passport as well as seeing the books at the fair.






I think this might be my first (and possibly last) ever selfie!
And we now have indefinite leave to stay at the Arnolfini - quite a relief. P is looking fierce because he's remembering the M4 and concentrating on willing the tea trolley to appear


Friday, 24 March 2017

BABE at Bristol Arnolfini






































I will be exhibiting at BABE next weekend - it is always a reliably good book fair and a brilliant event. I sadly missed it last time as was in Boscastle talking about witchcraft, which was fun too - but really looking forward to seeing everybody again in Bristol; do please come and find me - I'm sharing a stand with Peter - Altazimuth Press; we are against the wall in Gallery Three - middle stand of 5.


And talking of paradise - I was at a lovely event at the Bodleian Library yesterday looking at medieval books all day....Redesigning the Medieval Book

a workshop and competition for book artists
at the Bodleian Library, Oxford

In winter 2017-18 at the Bodleian Library in Oxford, an exhibition Designing English: Early Literature on the Page will show the page design of English literature in handwritten manuscripts and inscriptions across the Middle Ages. It will range through the first thousand years of written English, from Old English picture books to early Tudor plays and manuals for handling swans, from stray notes scratched into Anglo-Saxon herbals and fragments of lost songs in the margins, to learned masterpieces placed centre-page and framed by illustration and gilded borders. It will celebrate the craft of the scribes, painters and engravers who designed these pages and other objects to make English writing speak to people clearly and with authority.

To complement that exhibition, they have set up a competition and exhibition for contemporary book artists: Redesigning the Medieval Book,inviting book artists to design and make new books inspired by medieval manuscripts from the exhibition. A meeting and workshop yesterday was for artists and craftspeople of any specialism who engage with books in their work, including bookbinders, papermakers, calligraphers, illustrators, graphic designers, handpress printers, sculptors, graphic designers, digital artists and other craftspeople....so it will be interesting to see how the entries turn out....





Looking at the books and seeing how they work and are made was really inspiring; I am always fired up by medieval artefacts anyway - I like the organic materials and the sturdy straightforward approach. All the books we looked at were actually written and drawn by hand so I think I am looking forward to making something without printing for a change...




All the images are copyright of the Bodleian; more on this project as things progress. A shortlist of entries will be selected for a public exhibition at the Bodleian Library in Oxford from 1 December 2017, which will run alongside the exhibition of medieval manuscripts which inspired them. So some of these books will be shown then; worth making a note in the diary - the exhibition will be on until the 30th january 2018.



Friday, 24 February 2017

New Year Update


I have been meaning to write a post and the arrival of our local Linklater Wildlife Trust newsletter prompted me to post this - click on the link and go to page 7 to see an update on our Spaces in Between book and a talk I gave before Christmas very kindly  put in by John Parry.

Lewes Printmakers are currently fired up by thinking about our next book which will focus on Lewes Trees ( seem to be too many of them suddenly and inexplicably disappearing recently...) - we have some wonderful old trees, some with historical associations, such as those in Grange Gardens which once belonged to John Evelyn

In the same email batch was the good news that our local fight to prevent the Old Turkish Baths - a historic Lewes Building associated with George Gilbert Scott - has so far been saved from being yet another Italian restaurant -(I mean how much more pizza can Lewes folk eat ?) with the council splendidly agreeing to looking into it becoming more of a much needed community space.


https://media.wix.com/ugd/7009ae_e1a1eec9969e43418c0211d8bbfba34d.pdf







I am in the final throes of  writing my book about women artists - to be published next year - more details of this due course, and have two big artist book projects on the go for the rest of the year.
Again pictures in due course and some details of talks related to the women  later in the spring and summer - watch this space....